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## Fee Download Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

Fee Download Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

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Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)



Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

Fee Download Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

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Exile's Return: A Literary Odyssey of the 1920s (Penguin Twentieth Century Classics)

  • Published on: 1600
  • Binding: Paperback

Most helpful customer reviews

8 of 9 people found the following review helpful.
Exile's Return
By Walter M. Holmes
Exile's Return

This is a book of essays, anecdotes, and observations. They are primarily concerned with the 'Lost Generation' of American writers who spent time in Paris between 1918 and 1930. Donald W. Faulkner provides the Introduction and Cowley, who made some revisions to the 1934 publication in 1951, writes a note on the text.

I imagine that many of the 'senior citizens', such as myself, will have some sense of familiarity with the subject matter. A few may have read the book in the days of their youth. Unless they are experts on the subject they will find Cowley's intimate perspective interesting, and they will enjoy the easy accessible style of the writing.

For younger generations it may not be the best introduction to the period. The names Hart Crane, Harry Crosby, and Edmund Wilson should have some resonance, as well those more familiar ones such as Hemingway and Fitzgerald.

Appendices include A Selective Chronology of Events from 1915 to 1934, and A Tabular History of the Literary Life, 1924-1949.

Many detailed works on the authors and the period have been written since. Cowley's perceptions do not date, as they are more of less contemporary rather than historical. But it must be said that they do not provide a suitably informative introduction for those readers not already familiar with the territory.

0 of 0 people found the following review helpful.
OH, THE MONOTONY
By Donald P. Reed
Exile's Return, Malcolm Cowley [1898-1989]; The Viking Press (copyrights 1934 - 1969; paperback edition May 1975)

What, when I was a lad, did I see that was admirable in this pretentious, dull twaddle?!

Bored to tears by page 100 (this edition ran 316). Set the book aside. Reopened it two weeks later & the ancient paperback binding abruptly split open into two books. School's out! Pulped 09/22/16.

Mr. Cowley's "A Second Flowering," (1973), incidentally, is quite good. Read that one.

21 of 21 people found the following review helpful.
Classic history of the Lost Generation
By Robert Pratte
Cowley was many things: author, poet, editor, reviewer, American expatriate in Paris. He was aware of his diverse past and constantly strove to contextualize himself within what was going on around him. Exile's Return was his first such attempt. In it Cowley recounts his experiences in such notable hot-spots as pre-war Greenwich Village and inter-war Paris. Moreover, he examines the movements of which he was a part within larger historical/literary/artistic trends.

There are some things to bear in mind with this work, however. Cowley returned to his past often, and often his return would bring re-evaluation. While there is some evidence of this habit across the various editions of Exile's Return, the trail of revision is more apparent by comparing this work against other retrospectives (Dream of the Golden Mountains, View From 80, etc.).

Another issue with Cowley is that he (as most, especially Modernist, writers) tends to favor his own position. That is, he perhaps exaggerates his own part and importance. This tendency becomes controversial within the context of his chapter on Harry Crosby. While they were clearly acquainted, Caresse Crosby (Harry's wife), among others, thought that Cowley didn't know Harry well enough to write what they considered a spurious account of Crosby's last days.

However, even with these negatives the book is highly recommended. In it, one gets a concise introduction to Modernism, important figures in the expatriate movement and inter-war Paris, and pre-war New York. Further, one receives a context of how these movements and people fit together. Among Cowley's works, this is one of his finest.

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